Bad Bunny did not just headline Super Bowl LX’s halftime show; he turned the biggest stage in U.S. sports into a living mural of Puerto Rican and pan‑American life. From the first shot of him emerging through towering cane fields to his…
Bad Bunny did not just headline Super Bowl LX’s halftime show; he turned the biggest stage in U.S. sports into a living mural of Puerto Rican and pan‑American life. From the first shot of him emerging through towering cane fields to his…
When Bad Bunny took the stage at Super Bowl LX, the spectacle was expected, but the closing statement was a deliberate provocation. As he wrapped his set, he turned a football toward the camera to reveal the words “Together, we are America,” while stadium…
"I did not know there were Black people there." It is a reaction Martina Blandón hears often. In this personal essay, she confronts the systematic erasure of Afro-Colombian history—from the free towns of Palenques to the Wiwas Women's Collective. Blandón argues that…